The new “new” Chinese furniture should be a re-excavation of the “traditional” and “modern” furniture design culture elements, including the “deconstruction” and “reconstruction” under rational understanding, that is, to re-understand and explore traditional furniture. Forming elements and rationally integrating them into the design of modern Chinese furniture, and realizing breakthroughs in the form of new Chinese furniture through innovation in design concepts.
By summarizing and applying the design method, the development of furniture products can be effectively carried out. At present, the main methods of furniture design are: “function construction method”, “material structure construction method”, “model construction method”, “cultural element construction method” and “Deconstruction and reconstruction method” and so on. In many design methods, “deconstruction and reconstruction” is a method of decomposition and synthesis. It is much more comprehensive and comprehensive than other methods. Decomposition is conducive to understanding the structural elements, but also to discover the inner beauty of traditional furniture, and to understand the impact of structural changes on the whole.
On the other hand, it is possible to extract the forms, elements, symbols and functions that are formed in the artistic beauty. After decomposition and re-refactoring, new content and form are produced. However, these components cannot be copied and copied, but should be the process of re-creation and re-design. This requires us to carry out the transformation and carry out “redesign” based on the modern aesthetic needs on the basis of a full understanding of the traditional forms. At the same time, the original patterns, folk art elements and other elements in history, such as the enamel ornament on the bronze wares of the Shang Dynasty; the literary and plum blossoms in the Spring and Autumn Period and the Warring States period; the phoenix ornament on the lacquer ware of the Han Dynasty, the treasure pattern of the Tang Dynasty and later appeared The golden form, etc., can be used as an asset for the innovative design of new Chinese furniture.
The main point of its reorganization is: we must establish a multi-disciplinary consciousness; secondly, we must deeply understand the connotation of the constituent elements, and find the connection of the various elements in the recombination, instead of being hard-working. Through reasonable reconstruction, the contradictions of opposites are resolved, and the various elements are coordinated to create a harmonious new whole.
The above is to share with you the innovation of new Chinese furniture design today, I believe that this innovative furniture design will bring us a warm home!
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